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When Metro-Goldwyn-Mayer released Girl Happy in the spring of 1965, it signaled the beginning of a third phase Elvis Presley’s Hollywood career.

In his first seven movies, starting with Love Me Tender in 1956 and ending with Wild in the Country in 1961, 20th Century Fox and Paramount fashioned musical dramas designed to develop Elvis’ acting talent.

Blue Hawaii opened a second phase of Presley pictures in 1961, when Hal Wallis and other producers began cutting back on dramatic content and featuring Elvis in light, musical comedies set in colorful locales.

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Girl Happy, however, was the first of a dozen straight Elvis pot-boilers, low-budget, formulaic productions designed to keep money flowing to Elvis and the studios. With the thinnest of plots, these films were aimed solely at Presley’s loyal followers, who needed only to see their favorite on screen and hear him sing.

As the lead-off feature in this phase, Girl H